Fear of Spiders

I'm not certain if this post belongs on the "Open Your Hearts with Pets" blog or the creativity blog--like a lot of things in life, topics, musings, lessons overlap. One thing leads to another and before you know it, a real story emerges. Watch how I tie Halloween, spiders, Artist Trading Cards and David Sedaris all into one posting!

I have been afraid of spiders since the tender age of five. At that time, my parents and the parents of my friends who lived next door decided to take the irresponsible step of having a night out. The two girls next door came over to our house where my 9-years-older sister was assigned to babysit. While moms and dads were enjoying child-free moments at the local steakhouse (I assume, remembering my dad's idea of taking a risk was going to a new restaurant), Joyce tucked us into bed.

As I was drifting off to sleep in my big bed with my white pillowcase, a crack of light coming in from the slightly opened door, I opened my eyes one last time before entering the Land of Nod and there, right in front of my face, was the biggest, scariest spider my little-girl eyes had ever seen.

Screaming for my sister, who came running I'm sure from American Bandstand or a whispered conversation with her boyfriend, I flung myself out of that bed and proceeded to grasp a phobia that has hung around through decades of old houses, musty basements, camping trips, ceiling corners, and the sliding glass door on our house where daddy long legs hang out.

Joyce picked up my pillow, hastened to the kitchen, and sent the 2-inch wide spider on a journey down the drain. I was sent back to bed...but sleep took a long time coming.

For months afterward I woke in the middle of the night convinced that Hoardes of Horrible Spiders (hey, that would be a good title for a kids' book!) were waiting for nothing more than the chance to terrorize a little Ohio girl while she tried to get some shut eye. A preference for tight tucking of the blankets occurred around this time, as well as development of a strategy for handling fear. Rather than talk to my parents or older sisters, I decided to abandon my bed and start sleeping on the Early American couch in the living room. Once there, Grandma's afghan was tucked in on all sides, my pillow was checked one final time, and I would fall asleep.

My odd sleeping habits lasted quite a while, until a fear of spiders was replaced with a very real fear of earaches that plagued me with searing pain long before "tubes" were inserted into the ears of small children. I spent nights with my head on a heating pad and found another thing to dislike, the disgusting Dijon mustard-colored medicine I was given to ease the pain of "bealed" ears. My pillow was not covered with spiders in the night, but with liquid seeping from my ears. Perhaps this was some odd way the universe was preparing in me a sympathetic heart for the hearing impaired child I would one day parent, as I can clearly remember not being able to hear well during those flare-ups.

Any-hoo.... I'm tracing my anachraphobia to seeing the outline of that very large, very black spider on my very white pillowcase, while my parents were out on the town.

Fastforward to 2009 and the comfort I find in the sound of David Sedaris's voice as he goes on, with perfect inflections and pauses, about life in France and his office where spiders take up residence in the windows. I've got two of his books on my iPod: "Me Talk Pretty One Day" and "When You Are Engulfed in Flames." I believe the spider monologue was from the former.

Sedaris talked about how he named the spiders and viewed their intricate constructions, as I listened to him I thought of something I had done just two years earlier.

I'd moved from 100-year-old house to modern condo with my marriage to Mark. One morning, when taking the dogs out, I noticed the most interesting spiderwebs in the grass and on the shrubs. The webs were not like those often seen descending from trees, but were more like lacey trambolines or the white, peaked canopies artists use at craft fairs. It was the first time I realized, or thought about, the fact that different spiders produced different types of webs. These webs might have been built by spiders I could not be afraid of... I grabbed my digital camera and clicked, or rather pressed, away. (Don't you miss the satisfying click of an old-fashioned camera?) I ended up with several really cool photos of these spiderwebs, none of which I can locate now...

Back to the present... a few weeks ago I got up around 6:00 to make coffee. Standing and staring out the kitchen window, giving thanks for sunrise delivery of the Columbus Dispatch (arrival in Columbus: 7:30 a.m. arrival in Athens, 2 hours away from headquarters: 5:30 a.m.--go figure) I noticed a good-sized spider and a web adhered to the bottom corner of the kitchen window. But I wasn't afraid of it...mildly put-off, but not really fearful. Why?


Because of a book. About spiders? No, a book I'd been proofreading and designing for a client-author, Jeanne Webster. Jeanne has written a great book entitled "Strays." It's in the genre of "inspirational fiction" and uses wonderful stories from a Native American background to teach universal truths. One of the stories involves--you guessed it, a spider! Grandmother Spider to be exact. (for more information visit http://www.straysthebook.com/ or click here to see the book on Amazon.) (That's our family's wonderful now-deceased dog, Buster, on the cover...)



In Jeanne's novel, Grandmother Spider dispenses advice to the main character, a young woman named Jane. When I read the story I was not one bit put off by the presence of a spider and I realized that between photographing the webs the previous year, and listening to David Sedaris's book this past year, I was perhaps OVER my anachraphobia! Could it be?

The test was right there in our kitchen window.

"Hello, Grandmother Spider," I said, my voice not even quivering.

She tucked herself back into the rather large, energy-inefficient crack between window ledge and window.


I didn't feel that was the place for her to be (not that enlightened yet, was I?) so I took the sprayer on the sink and sprayed the window casing, hoping to flush her back outside "where she belonged."

The next morning, she was back again, having rebuilt her web in the face of nearly insurmmountable odds.

Grandmother Spider never ventured, that I could tell, beyond the window. She didn't explore the countertop, marvel at Mark's expresso machine, chide the stainless steel mixer. She may have tiptoed her way to the sink for a sip of water, but I never saw it. I realized I didn't want to kill her, I wanted to catch her, but how?

I took a jar that I'd had set aside to return to The Village Bakery (best peanut-soy dressing this side of heaven is made there), and placed it over her most recent construction. Perhaps, I figured, she'd make a web inside the jar and then I could flip it over and take her outside.



Each morning, for a good week, she greeted me with a mixture of pride and deference, I thought, from her web just under the glass jar. But when I advanced my hand in the direction of the jar, she'd retreat to the crack in the window frame. Mark read the sports' section of the paper while I provided spider updates.

After a few days of this, I managed to slide a paper towel along the crack, preventing her escape and enticing her further into the jar. In this way, I was able to capture her and take her outside to the nice row of bushes growing on the far side of the house, far away from said kitchen window.

"Go on!" I said. "Make a new home." (I've said that to myself more than once, as well.)

It took her a while to release her eight little legs from the jar, but eventually gravity and a good shaking won out, and she disappeared from my sight. "How far I've come!" I thought proudly. "I'm no scared little girl anymore." (about time, you might think)

The next morning, like a co-dependent person fascinated by fear, I kinda missed seeing Grandmother Spider. But a reminder of her soon showed up in the post office box of all places...

Which brings in the creativity part of this posting...

I'm in the ATC Connection and Artist Trading Card groups on Yahoo. One such trade, ongoing, is the Alphabet ATC trade. "A" cards of course were first and my "A"s arrived that day. I opened it up, and there was a card featuring "AFRAID" with a woman in a fearful pose and a black plastic spider glued to the front of the card. It was created by Vicki Bettencourt, who had no idea what her card might mean to me and how it'd end up in this post.

So, now my spider saga has gone full circle. From fear, to curiousity, to information and appreciation, to conversation, to documentation... hey, this might work for all sorts of misconceptions I face. Thank goodness life affords the opportunity to work through them.

As Summer Turns to Autumn...

I love the advantages of every season so much, it's difficult to choose a favorite. Perhaps even more than the seasons, I enjoy the changing. The sense that something new and different is on the way. The letting go and the moving forward. Important principles that have kept me sane for decades.

Letting go:
As night-time temperatures drop here in the Appalachian foothills of Southeastern Ohio, let's take a moment to remember the summer of 2009. The blessings and the challenges. What we enjoyed and what we survived. Dreams that came true or hopes that were dashed. If the latter, can we find anything of benefit in it? If the former, what's next?

We let go of the lake, the hot sun, the sounds of children playing in the water... we let go of the way a cabin smells, popcorn cooked in a big kettle over an open fire, teenagers falling in love. We let go of languid evenings spent on vacation, or action-packed efforts at waterskiing, biking, rock climbing, canoeing. And now is the time to remember, to print those photographs out and place them in an album... to give thanks for anything good that came our way in the last twelve weeks.

The child who grew from kid to high school student. The mother who visited and deepened a connection with grown children. The sister who loves flea markets and always gets us. The flowers -- snapdragons, day lilies, roses, peonies, geraniums... The abundant forest, the sweet small yellow and black birds who love thistle and are the first thing I look for each morning.

The grill, the steaks, the corn on the cob. The tomatoes! The farmer's market. Cooler weather "up north." Summer camp. Riding horses, riding rails. Cheap thrills or expensive indulgences. Graduations of all sorts. Summer romances.

Now it is time for welcoming autumn -- the beautiful, vibrant, golden tease of quiet, reflective winter.

I spent 17 years in Florida and you could not over-estimate how much I missed the changing seasons, the hills, the ebb and flow of life "up north." Now, tucked away on this hillside, the trees and air alone tell me what is next. And it seems each year at this time I'm drawn to reflect on the past and plan for the future. This is when I think of goals, of what I want to do with my life, what I want to do with my time. What went right, what might need some fixing.

Living creatively means living consciously -- aware of not only what is going on around you, but what is going on inside of you. Learning how to let all of life happen around you but not necessarily within you. Protecting that part of you that holds a dream -- not coddling it, but treasuring it, and also asking something of it: What will you do? For any reflection that doesn't close, eventually, with a plan of action leaves us unsatisfied and incomplete. It's the action that leads to our dreams.

Hope is a great thing, but it isn't the thing. The thing, for each of us, is something we can remember, document, tell our kids about, photograph, write about.

As summer turns to autumn, what will be your thing: your hope materialized? And what can you do to reach it? Tap into your personal creativity, and the collective creativity of your place on earth, to make your dreams come true.

Big List of Halloween Links

Halloween is coming up before you know it, and it's not too early to browse the Web and find great clip art, baking recipes, and costume ideas. I've saved you some time from your busy schedule to locate and categorize these helpful Halloween-related websites. Enjoy!

Right-click to "open in a new window" and visit these sites.

ANIMATIONS:

BAKING:

CANDY:

CLIP ART:

COOKING:



COSTUMES:

CROCHET:

EVENTS:

HISTORY OF HALLOWEEN:

MISC:
MOVIES:
MUSIC:
PETS:

PHOTOGRAPHS:

PUMPKIN CARVING:

PUMPKIN STENCILS:

SCREEN BACKGROUNDS:

This links list compiled and copyright 2009 by Janice Phelps Williams. Okay to copy up to THREE categories, but please give link back to www.appalachianmorning.blogspot.com. If you want to print out this entire list of information and distribute to your class or group, that's okay. Please credit this blog as well.

Less Is More... District 9 and Why I Dislike the Rococo Period

Okay, where to start: Last night I found myself (yes, that's me, denying responsibility) in the movie theater watching District 9, a movie I can only hope to forget.

If you like movies with disgusting creatures, disgusting humans, lots of violence and weaponry, shakey filming, all wrapped around a not-so-subtle attempt to deliver a social message that could have been done in a way that doesn't remove one's appetite, then this is the movie for you!

I hated it. Hated the blood, the noise, the way the social message wrapped in visual effects felt like a comic book come to life with $30 million and too much time on its hands? Like a 10-year-old spoiled rich kid who was trying to gross out his mother while simultaneously claiming a social conscience.

I hated the quesy feeling in my stomach after having eaten a $25 meal and then gone to see this movie. Hated wondering what the filmmaker might next decide I needed to see.

Yes, I could have walked out. I didn't because 1) I hadn't driven. 2) There weren't better choices since Julie & Julia didn't start for an hour and The XGames movie sounded promising, but I didn't want to go in it on my own in the dress I was wearing, and I had already been beaten into mind-numbing anxiety by the awful District 9. And, I feel that anything my companion sees and seems to find interesting should be worth a look-see.

Perhaps the aliens can send out thought-beams through the theater screen...

What is it with movies and TV shows these days? Everything has to be spelled out, visually, for us as if we are captive idiots. The autoposies, vomiting, urinating, defecating... The torture, rape -- everything is shown in high-definition Technicolor. I'm sick of it. Actually, I've been sick of it for a few years now, (ever since I walked out of Seven) but no one seems to care. I must not be "the market" and I wonder why. I have more money to spend and more time on my hands than a teenager or a twenty-something. I buy DVDs, books, and magazines. I can't always remember what I don't like (I have to keep notes in my BlackBerry on what not to eat at a restaurant), but I do remember what I do like, and I'm what you'd call a "loyal fan" and support my favorite writers, musicians, filmmakers with that most wonderful form of gratitude: dollars.

Sometimes I wonder, is my disgust at current trends in movie and TV because of my age, my gender? One can't blame it on my politics (liberal) or religion (ill-defined). Or my naivite. Anyone who knows me realizes I've had enough life experiences to knock that out of me long ago. I do tend to be an optimist -- not a bad thing, I hope. I've surrounded myself with enough pessimists, excuse me, realists, to balance things out.

I'm a woman, but a quick search of District 9 reviews, shows at least two women liked the movie. Ugh. Somehow I feel better if I can blame this movie on testosterone. No offense, guys, but there are chick flicks and dick flicks and we all know it.

Less is more. I'm not using this in the
minimalist sense. Or the simplicity movement sense. The original quote and the background behind it, is well-described here.

"Less is more" is my way of saying "too much information" -- not in the way of "I don't want to know that" as in "I've heard enough about your husband's surgerical procedure" --- but in the way of "Yes, I'm a thinking person with somewhat of an imagination, you don't have to spell it out for me."

There are a lot of reviews online on District 9, but having been involved in marketing books for many years, some of the "reviews" sound like the writer copied sentences from the filmmaker's PR materials.

Not
Roger Ebert, though, who started his review with this wonderful first line:
"I suppose there’s no reason the first alien race to reach the Earth shouldn’t look like what the cat threw up." Then went on to say:"Despite its creativity, the movie remains space opera and avoids the higher realms of science-fiction."I’ll be interested to see if general audiences go for these aliens. I said they’re loathsome and disgusting, and I don’t think that’s just me. The movie mentions Nigerian prostitutes servicing the aliens, but wisely refrains from entertaining us with this spectacle." [Thank God for small favors, but I fear'd it was a'comin'.]

Which reminds me of this saying: "Just because you can, doesn't mean you should." I'd like to be able to email that to the script-writers of one of my favorite shows, Bones, as I have to give my attention to something else during the first 10 minutes of each episode to avoid seeing human road kill on our 42" HD-TV. When a commercial comes on, I can look at the screen as it zips by on DVD's fast forward.

Here are a few more reviews:
"There is a lot of shield-your-eyes ickiness [did Steven Rea see me applying lotion to my hands intently during the movie] in District 9, a lot of violence and gore. What there is not a lot of, however, is humanity - even in the film's depiction of the inhumanity humans are capable of."Steven Rea at Philly.com

"It's a bad joke that District 9 will be hailed for its 'originality.' "
Michael Sragow Baltimore Sun

"becomes almost instantly tiresome"
KYLE SMITH New York Post

Well, enough about District 9 and how much I hated it.

Let's move on to televisions and bad-taste commercials: the one with the girl with long hair streaming from her armpits as she rides on a tandem bike; the one with the pretty girl in a bathtub of brown liquid (something to do with a backed-up toilet)... Jeepers, some of these are on while I'm eating!

Which brings me to the nightly news: I used to wish, when my children were small, that I could have a 1/2 hour of peace and quiet during which I could watch the evening news (with dear Peter Jennings) and become informed on the day's events...

Now, my children are no longer at home and I am free to watch news as much as I want whenever I want. But, I gravitate to the 6:30 news and Brian Williams. Yet there are certain things I do not want to see. Video is not always needed. Words are enough. I know that when there are bad car crashes there are bodies; don't need to see the white sheets on the road. Don't need to see blood, snot, surgery, disfigurement, animal cruelty, or starving children while I eat dinner. Picky, aren't I?

I'm not saying I don't need to hear the news, but can we agree that video is more powerful than words and perhaps should be used more judiciously? As in "just because you can doesn't mean you should." Just because you can show video like youtube doesn't mean you should. If Brian Williams says they're starving, bleeding, oozing, or dead -- I'll believe him. No image necessary. I'm tired of losing my appetite.

So, you probably think I want the world to be wonderful, with Louie Armstrong singing his song in the background and little yellow butterflies zipping around my head while I think happy thoughts. Well, yes, thank you. Life can be pretty stinky and as much as I'd like to think otherwise, some people really do suck, and if I want to go to my happy place, then I damn well will. But, no, I don't need the world to be easy for me. I am well aware of all the awful stuff going on. I just like some warning when someone else's agenda is going to smack me in the face with their preferred image.

On the less-is-more campaign: I'd like to mention the Rococo Period of art (as long as the sci-fi people, and perhaps the South Africans and New Zealanders are mad at me, let's irritate the French).

When I was an art student, low those many years ago, we briefly skipped over Fragonard and Watteau so we could concentrate on important things like exercises where we sat on the floor and tried to "feel" like a piece of clay. Or contemplated our professors nail-clippings, saved over many years. I am not kidding.

When I started art school at 18, the first class I had showed a film that consisted of a naked man and a naked woman, jumping around in front of a black vinyl drap throwing buckets of water at each other; then it transitioned into the woman's eye being slit with a razor blade. Welcome to the world, baby girl. And for this my parents paid good money.

But around about that same time, a well-meaning relative I suppose, gave me a book of Watteau paintings and if I had that book today I could use it to make background paper for Artist Trading Cards because it was pretty, fanciful, decorative and sweet. Which is to say, I'd have no hesitancy in cutting up a Watteau print and using it to wrap a gift.

"Less is more" doesn't mean I prefer sweet. I mean, I do like sweet in a Mary Englebreit sort of way. And if you've seen my drawings of Jackie knitting, you will get a glimpse into "the way I want the world to be." But, like circus peanuts, sweetness doesn't satisfy the thinking person as a steady diet. There is a difference between a Hummel figurine and a Rodin. Also, I can appreciate the difference between decorative art and other types of art. I like Mark Rothko, Alexander Calder, Marc Chagall.

Maybe District 9, Seven, The Mangle, Hieronymus Bosch, and Salvador Dali are at one end of the "creative spectrum" (oh, that is hard for me to type). Fragonard, Watteau, Mary Englebeit and Harlequin Romances at the other. I, perhaps, am not a Minimalist, but a Middle-ist. Or maybe I just don't want to visualize hell.

In fact, maybe those of us who don't want to visualize hell, feel that way because we've seen too much of it in real life, not because we are naive. Sort of a take on "if they're talking about sex, they're probably not doing it." I've seen some dark stuff, man, and there's a reason people liked swing dancing during World War II.

I like the middle -- a place between giant prawns whose tentacles quiver in HD while I sit passively accepting whatever the filmmaker wants to show me next; and, let's say, You've Got Mail (which wraps the issue of chain bookstores pushing out independents around a nice, tidy romance).

In the middle, I enjoy Elizabeth Berg, Lisa See, Amy Tan, Dave Eggers, Jonathon Franzen, Sue Miller (all authors). Movies like "Jean de Florette, The Pillow Book, Out of Africa, Momentum, What About Bob?, Schindler's List, and many others entertained or taught me something. They were worth my time and my money.

I like a movie, or a book, or a friend, or a piece of artwork that beckons me to come closer and then, either
1) reveals to me something I didn't know and might want to know, or something I do know but didn't see in quite this way, or something familar that I never noticed, or something ordinary becoming beautiful, or the inner motivations of a character that portend to a larger universal truth or
2) entertains me.

But, the world is big, there are lots of people here, and many of them, many, many millions of them it seems, have completely different wants, tastes, and desires than do I. And some of them have enough money to make movies. I'm just going to have to do more research before walking into a theater again. Or, maybe I'll just stick to ordering DVDs on NetFlix where, if it's a dud, I just send it right back and move on.

Can we start a Middle-ist campaign?
Here's what I'd like to nail to the script-writer's door:
1) People menstrate, vomit, urinate and deficate: we know this. We don't need to see it.
2) We know about computers and special effects and it's a technique, not an art in and of itself. Learn the difference and use your gift wisely. Surprise me with your subtlety.
3) Respect your audience.
4) Don't write anything you'll be ashamed of in 20 years when your adult children see it.

Well, enough already. I'm gonna go watch CBS Sunday Morning. One of my favorite shows that informs and entertains. And I can watch it while I eat pancakes.